Olivier Messiaen

Olivier Eugène Prosper Charles Messiaen^[1] (UK /ˈmɛsiæ̃/,^[2] US /mɛˈsjæ̃, meɪˈsjæ̃, mɛˈsjɒ̃/;^[3][4][5] bahasa Prancis: [ɔlivje mɛsjɑ̃]; 10 Desember 1908 – 27 April 1992) adalah seorang komponis Prancis, organis, dan ornitologis, ia merupakan salah satu komposer utama pada abad ke-20.

Catatan

Referensi

• Bannister, Peter (2013). "Olivier Messiaen (1908–1992)". Dalam Anderson, Christopher S (ed.). Twentieth-century organ music. New York: Routledge. ISBN 978-1-136-49790-2.
• Benitez, Vincent P. (2008). Olivier Messiaen: A Research and Information Guide. New York and London: Routledge. ISBN 978-0-415-97372-4.
• Benitez, Vincent P. (2018). Olivier Messiaen: A Research and Information Guide, 2nd ed. New York and London: Routledge. ISBN 978-0-367-87354-7.
• Bruhn, Siglind (2007). Messiaen's Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s. Hillsdale, NY: Pendragon Press. ISBN 978-1-57647-129-6.
• Bruhn, Siglind (2008a). Messiaen's Interpretations of Holiness and Trinity. Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera. Hillsdale, NY: Pendragon Press. ISBN 978-1-57647-139-5.
• Bruhn, Siglind (2008b). Messiaen's Explorations of Love and Death. Musico-poetic Signification in the Tristan Trilogy and Three Related Song Cycles. Hillsdale, NY: Pendragon Press. ISBN 978-1-57647-136-4.
• Dingle, Christopher (2007). The Life of Messiaen. Cambridge & New York: Cambridge University Press. ISBN 978-0-521-63547-9.
• Dingle, Christopher (2013). Messiaen's final works. Burlington, VT: Ashgate. ISBN 978-0-7546-0633-8.
• Dingle, Christopher; Simeone, Nigel, ed. (2007). Olivier Messiaen: Music, Art and Literature. Aldershot: Ashgate. ISBN 978-0-7546-5297-7.
• Gillock, Jon (2009). Performing Messiaen's Organ Music: 66 Masterclasses. Bloomington, Indiana: Indiana University Press. ISBN 978-0-253-35373-3.
• Griffiths, Paul (1985). Olivier Messiaen and the Music of Time. Ithaca, New York: Cornell University Press. ISBN 978-0-8014-1813-6.
• Griffiths, Paul (2001). "Messiaen, Olivier (Eugène Prosper Charles)". Dalam Sadie, Stanley; Tyrrell, John (ed.). The New Grove Dictionary of Music and Musicians (Edisi second). London: Macmillan Publishers. doi:10.1093/gmo/9781561592630.article.18497.
• Griffiths, Paul; Nichols, Roger (2002). "Messiaen, Olivier (Eugène Prosper Charles)". Dalam Latham (ed.). The Oxford Companion to Music (Edisi new). Oxford and New York: Oxford University Press. ISBN 978-0-19-866212-9.
• Heller, Karin (2010). "Olivier Messiaen and Cardinal Jean-Marie Lustiger". Dalam Shenton, Andrew (ed.). Messiaen the theologian. Farnham: Ashgate. ISBN 978-0-7546-6640-0.
• Hill, Peter, ed. (1995). The Messiaen Companion. London: Faber and Faber. ISBN 978-0-571-17033-3.
• Hill, Peter; Simeone, Nigel (2005). Messiaen. New Haven and London: Yale University Press. ISBN 978-0-300-10907-8.
• Hill, Peter; Simeone, Nigel, ed. (2007). Olivier Messiaen: oiseaux exotiques. Aldershot: Ashgate. ISBN 978-0-7546-5630-2.
• Kraft, David (2013). Birdsong in the Music of Olivier Messiaen. London: Arosa Press. ISBN 978-1-4775-1779-6.
• Matossian, Nouritza (1986). Xenakis. London: Kahn and Averill. ISBN 978-1-871082-17-3.
• Pople, Anthony (1998). Messiaen: Quatuor pour la fin du temps. Cambridge: Cambridge University Press. ISBN 978-0-521-58538-5.
• Rischin, Rebecca (2003). For the End of Time: The Story of the Messiaen Quartet. Ithaca, N.Y.: Cornell University Press. ISBN 978-0-8014-4136-3.
• Samuel, Claude (tr. E. Thomas Glasow) (1994). Olivier Messiaen: Music and Color: Conversations with Claude Samuel. Portland, Oregon: Amadeus Press. ISBN 978-0-931340-67-3.
• Shenton, Andrew (2008). Olivier Messiaen's System of Signs: Notes towards Understanding his Music. Aldershot: Ashgate. ISBN 978-0-7546-6168-9.
• Shenton, Andrew (2010). Messiaen the Theologian. Aldershot: Ashgate. ISBN 978-0-7546-6640-0.
• Sherlaw Johnson, Robert (1975). Messiaen. Berkeley and Los Angeles: University of California Press. ISBN 978-0-520-02812-8.
• Simeone, Nigel (2009). "'Un oeuvre simple, solennelle...'". Dalam Shenton, Andrew (ed.). Messiaen the theologian. Farnham: Ashgate. ISBN 978-0-7546-6640-0.

Bacaan selanjutnya

• Baggech, Melody Ann (1998). An English Translation of Olivier Messiaen's "Traite de Rythme, de Couleur, et d'Ornithologie" Norman: The University of Oklahoma.
• Barker, Thomas (2012). "The Social and Aesthetic Situation of Olivier Messiaen's Religious Music: Turangalîla Symphonie." International Review of the Aesthetics and Sociology of Music 43/1:53–70.
• Benitez, Vincent P. (2000). "A Creative Legacy: Messiaen as Teacher of Analysis." College Music Symposium 40: 117–39.
• Benitez, Vincent P. (2001). "Pitch Organization and Dramatic Design in Saint François d’Assise of Olivier Messiaen." PhD diss., Bloomington: Indiana University.
• Benitez, Vincent P. (2002). “Simultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera Saint François d’Assise.” Music Theory Online 8.2 (August 2002). Music Theory Online
• Benitez, Vincent P. (2004). "Aspects of Harmony in Messiaen's Later Music: An Examination of the Chords of Transposed Inversions on the Same Bass Note." Journal of Musicological Research 23, no. 2: 187–226.
• Benitez, Vincent P. (2004). "Narrating Saint Francis's Spiritual Journey: Referential Pitch Structures and Symbolic Images in Olivier Messiaen's Saint François d'Assise." In Poznan Studies on Opera, edited by Maciej Jablonski, 363–411.
• Benitez, Vincent P. (2008). “Messiaen as Improviser.” Dutch Journal of Music Theory 13, no. 2 (May 2008): 129–44.
• Benitez, Vincent P. (2009). “Reconsidering Messiaen as Serialist.” Music Analysis 28, nos. 2–3 (2009): 267–99 (published April 21, 2011).
• Benitez, Vincent P. (2010). "Messiaen and Aquinas." In Messiaen the Theologian, edited by Andrew Shenton, 101–26. Aldershot: Ashgate.
• Benítez, Vincent Pérez (2019). Olivier Messiaen's Opera, Saint François d'Assise. Bloomington, IN: Indiana University Press. ISBN 978-0-253-04287-3.
• Boivin, Jean (1993). "La Classe de Messiaen: Historique, reconstitution, impact". Ph.D. diss. Montreal: Ecole Polytechnique, Montreal.
• Boswell-Kurc, Lilise (2001). "Olivier Messiaen's Religious War-Time Works and Their Controversial Reception in France (1941–1946) ". Ph.D. diss. New York: New York University.
• Bruhn, Siglind (2007). Messiaen's Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s. Hillsdale, NY: Pendragon Press. ISBN 978-1-57647-129-6.
• Bruhn, Siglind (July 7, 2008). Messiaen's Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera. Dimension & diversity, no. 10. (dalam bahasa Inggris) (Edisi 1st). Hillsdale, NY: Pendragon Press. hlm. 229. ISBN 978-1-57647-139-5. OCLC 227191541.
• Burns, Jeffrey Phillips (1995). "Messiaen's Modes of Limited Transposition Reconsidered". M.M. thesis, Madison: University of Wisconsin-Madison.
• Cheong Wai-Ling (2003). "Messiaen's Chord Tables: Ordering the Disordered". Tempo 57, no. 226 (October): 2–10.
• Cheong Wai-Ling (2008). "Neumes and Greek Rhythms: The Breakthrough in Messiaen's Birdsong". Acta Musicologica 80, no. 1:1–32.
• Dingle, Christopher (2013). Messiaen's Final Works. Farnham, UK: Ashgate. ISBN 978-0-7546-0633-8.
• Fallon, Robert Joseph (2005). "Messiaen's Mimesis: The Language and Culture of The Bird Styles". Ph.D. diss. Berkeley: University of California, Berkeley.
• Fallon, Robert (2008). "Birds, Beasts, and Bombs in Messiaen's Cold War Mass". The Journal of Musicology 26, no. 2 (Spring): 175–204.
• Festa, Paul (2008). Oh My God: Messiaen in the Ear of the Unbeliever. San Francisco: Bar Nothing Books.
• Goléa, Antoine (1960). Rencontres avec Olivier Messiaen. Paris: Julliard.
• Hardink, Jason M. (2007). "Messiaen and Plainchant". D.M.A. diss. Houston: Rice University.
• Harris, Joseph Edward (2004). "Musique coloree: Synesthetic Correspondence in the Works of Olivier Messiaen". Ph.D. diss. Ames: The University of Iowa.
• Hill, Matthew Richard (1995). "Messiaen's Regard du silence as an Expression of Catholic Faith". D.M.A. diss. Madison: The University of Wisconsin, Madison.
• Laycock, Gary Eng Yeow (2010). "Re-evaluating Olivier Messiaen's Musical Language from 1917 to 1935". Ph.D. diss. Bloomington: Indiana University, 2010.
• Luchese, Diane (1998). "Olivier Messiaen's Slow Music: Glimpses of Eternity in Time". Ph.D. diss. Evanston: Northwestern University
• McGinnis, Margaret Elizabeth (2003). "Playing the Fields: Messiaen, Music, and the Extramusical". Ph.D. diss. Chapel Hill: The University of North Carolina at Chapel Hill.
• Nelson, David Lowell (1992). "An Analysis of Olivier Messiaen's Chant Paraphrases". 2 vols. Ph.D. diss. Evanston: Northwestern University
• Ngim, Alan Gerald (1997). "Olivier Messiaen as a Pianist: A Study of Tempo and Rhythm Based on His Recordings of Visions de l'amen". D.M.A. diss. Coral Gables: University of Miami.
• Peterson, Larry Wayne (1973). "Messiaen and Rhythm: Theory and Practice". Ph.D. diss. Chapel Hill: The University of North Carolina at Chapel Hill
• Puspita, Amelia (2008). "The Influence of Balinese Gamelan on the Music of Olivier Messiaen". D.M.A. diss. Cincinnati: University of Cincinnati
• Reverdy, Michèle (1988). L'Œuvre pour orchestre d'Olivier Messiaen. Paris: Alphonse Leduc. ISBN 978-2-85689-038-7.
• Rischin, Rebecca (2006). For the End of Time: The Story of the Messiaen Quartet (Edisi New). Cornell University Press. ISBN 978-0-8014-7297-8.
• Schultz, Rob (2008). "Melodic Contour and Nonretrogradable Structure in the Birdsong of Olivier Messiaen". Music Theory Spectrum 30, no. 1 (Spring): 89–137.
• Shenton, Andrew (1998). "The Unspoken Word: Olivier Messiaen's 'langage communicable'". Ph.D. diss. Cambridge: Harvard University.
• Shenton, Andrew (2008). Olivier Messiaen's System of Signs. Abingdon, Oxon & New York: Routledge. ISBN 978-0-7546-6168-9.
• Shenton, Andrew, ed. (2010). Messiaen the Theologian. Abingdon, Oxon & New York: Routledge. ISBN 978-0-7546-6640-0.
• Sholl, Robert (2008). Messiaen Studies. Cambridge & New York: Cambridge University Press. ISBN 978-0-521-83981-5.
• Simeone, Nigel (2004). "'Chez Messiaen, tout est priére': Messiaen's Appointment at the Trinité". The Musical Times 145, no. 1889 (Winter): 36–53.
• Simeone, Nigel (2008). "Messiaen, Koussevitzky and the USA". The Musical Times 149, no. 1905 (Winter): 25–44.
• Waumsley, Stuart (1975). The Organ Music of Olivier Messiaen (Edisi New). Paris: Alphonse Leduc. OCLC 2911308; LCCN 77-457244.
• Welsh Ibanez, Deborah (2005). Color, Timbre, and Resonance: Developments in Olivier Messiaen's Use of Percussion Between 1956–1965. D.M.A. diss. Coral Gables: University of Miami
• Zheng, Zhong (2004). A Study of Messiaen's Solo Piano Works. Ph.D. diss. Hong Kong: The Chinese University of Hong Kong.

Pranala luar

Wikiquote memiliki koleksi kutipan yang berkaitan dengan: Olivier Messiaen.

• "Messiaen, Olivier" in Oxford Music Online (by subscription)
• BBC Messiaen Profile Diarsipkan 2021-01-16 di Wayback Machine.
• oliviermessiaen.org Up to date website by Malcolm Ball, includes the latest recordings and concerts, a comprehensive bibliography, photos, analyses and reviews, a very extensive bio of Yvonne Loriod with discography, and more.
• Infography about Olivier Messiaen
• oliviermessiaen.net, hosted by the Boston University Messiaen Project [BUMP]. Includes detailed information on the composer's life and works, events, and links to other Messiaen websites.
• www.philharmonia.co.uk/messiaen, the Philharmonia Orchestra's Messiaen website. The site contains articles, unseen images, programme notes and films to go alongside the orchestra's series of concerts celebrating the Centenary of Olivier Messiaen's birth.
• Music for the End of Time Diarsipkan 2019-12-03 di Wayback Machine., David Schiff article in The Nation, posted January 25, 2006 (February 13, 2006 issue). Formally a review of Messiaen by Peter Hill and Nigel Simeone, but provides an overview of Messiaen's life and works.
• Music and the Holocaust – Olivier Messiaen
• "Biografi Olivier Messiaen" (dalam bahasa Prancis). IRCAM.
• My Messiaen Modes A visual representation of Messiaen's modes of limited transposition.